Posts Tagged ‘Martin Pearlman’

Boston Baroque: Abduction from the Seraglio

Thursday, May 21st, 1998

Mozart’s early opera, ABDUCTION FROM THE SERAGLIO starts out light and comic, gradually grows deeper, more melodic, and more profound, and ends in perfect harmony. He wrote in 1781, at the age of 25, bringing together elements of high art and melodrama into a new form that transcends them both. “It was a breakthough for Mozart,” says Martin Pearlman, conductor and director of the Boston Baroque.

Read the full article »