Posts Tagged ‘Clifford Ackley’

12th Annual Boston Drawing Show

Saturday, April 13th, 1991

GERRY BERG­STEIN’s draw­ings show scrib­bles, scrawls, cross­ings-out, angry re-work­ings, mark­ings of struggle and doubt. From this chaos of marks on paper emerge lumi­nous little still lives, marked by the process of decay: visions of a world in flux, where every­thing is changing, growing, living, dying, and being reborn.

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The Unique Print

Sunday, December 9th, 1990

In mono­type, there is no fixed image on the printing surface. The artist paints or draws on a printing plate, makes changes, and prints again; the final proof is an accu­mu­la­tion of all the changes that have been made. Pale, faded images of past impres­sions often cling to mono­types like shadows; they are called “ghosts.”

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Minor White

Monday, December 18th, 1989

MINOR WHITE’s photographs convey a sense that behind the visible world is another world — a world filled with meaning and magic. He was fasci­nated by photog­ra­phy’s ability to show what he called “things for what else they are.” He liked to quote the thir­teenth-century German mystic Meister Eckhart: “The eye with which I see God is the same eye with which God sees me.”

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American Screenprints

Tuesday, September 26th, 1989

Many of the most memo­rable images of the sixties were silkscreen prints: Andy Warhol’s soup­cans, Mari­lyns, and Jackies, Roy Licht­en­steins’s day-glo brush­strokes on Ben-Day dots, Sister Cori­ta’s Flower Power messages, Robert Indi­ana’s LOVE, and Ed Ruscha’s dazzling 1966 Stan­dard Station, radiant and gleaming in the Cali­fornia light.

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