Sky Art Conference

SKY ART CONFERENCE
Center for Advanced Visual Studies, Mass­a­chu­setts Institute of Tech­nology (Cambridge)

(Orig­i­nally published in Art Xpress, Volume 2 Number 1, January-February 1982.)

Steve Poleskie, smoke trails, 1983

Sky Art uses the sky as a medium of expression and trans­mission: art using light and sound waves, which move through the air, or art which takes place in the space of the sky. Over a hundred events, instal­la­tions, and presen­ta­tions at this first of four Inter­na­tional Sky Art confer­ences showed artists and scien­tists working in neon, laser, steam, video, pyrotechnics, film, inflated and flying sculpture, and other celestial navigations.

Yellow airplanes circled around an exhi­bition field trailing sky poetry written in huge black letters by day, and at night sky poems were elec­tron­i­cally projected under an airplane’s wing. Howard Woody launched five purple and silver helium-filled pieces in a slow, lyrical, lilting flight. They disap­peared into a blue, cloud-studded sky, then wafted back on sound waves as a sound track of finders calling into the Sky Art field. Alfred Guzzetti and Ivan Tcherepnin’s film and elec­tronic music medi­tation on clouds showed white abstrac­tions moving across an azure moving picture plane. Docu­men­ta­tions of various art flights included Vera Simons’ video recordings of her Transamerica balloon flights, and Steve Poleskie’s drawings in the sky with smoke trailing from his aero­batic biplane. NASA space explo­ration photog­raphy worked as found sky art.

Otto Piene’s sky sculpture, Blue Star Linz, rose, hovered, and descended in the night sky in an elation of light and air.

by Rebecca Nemser for rebeccanemser.com

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